The biggest obstacle to creativity is attachment to outcome. As soon as you become attached to a specific outcome, you feel compelled to control and manipulate what you’re doing. And in the process you shut yourself off to other possibilities.
I got a call from someone who wanted me to lead a workshop on creativity. He needed to tell his management exactly what tools people would come away with. I told him I didn’t know. I couldn’t give him a promise, because then I’d become attached to an outcome — which would defeat the purpose of any creative workshop.’
It’s hard for corporations to understand that creativity is not just about succeeding. It’s about experimenting and discovering.
Gordon MacKenzie (via kenyatta)
Nobody gives the black girl mob credit for being smart as fuck. They clown but at the end of the day they are really intelligent.
And it’s not subtle at all. Taystee is a math prodigy in addition to being well-read, Poussey is multilingual, Cindy just knows shit, Suzanne studies Shakespeare, Watson was a good student in addition to being a track star, Vee is basically an evil genius. Piper often learns the most from them; they taught her how to fight and helped translate Pennsatucky’s biblical threat. The show flat out acknowledges the (academic) intelligence of the black inmates time and time again, but the audience collectively ignores it.